Tuesday, June 25, 2013

TIFF 2013 Ticketing Portal Changes

Some things to keep in mind when using the portal to purchase ticket packages:

Once you've logged in, you'll see a window like below:

Click the "2. CHOOSE PACKAGE" button at the top of the page (circled in red above), not the "Members" button to see the list of packages for purchase.

When you checkout and complete your purchase, the site will pop up a window with your pick up vouchers, so turn off any pop-up blockers in your browser. Note, your vouchers are also e-mailed to you to the e-mail address you specified in your profile. The e-mail stated that they can't resend vouchers, so don't lose the e-mail, otherwise you'll have to go do in person to get them.

I did see a bug where on the checkout screen, the line item price for 2 programme books I ordered was incorrect even though the grand total was fine. Purchase went through without any problem, though, and I got the correct number of vouchers.

Speed is now back up as well; the portal was initially very, very slow.

Monday, June 24, 2013

Ticket Packages on Sale to TIFF Members June 25, 2013

Just a reminder that ticket packages go on sale to TIFF Members starting Tuesday, June 25, 2013 at 10:00 AM Eastern time (all payment methods are accepted). Note debit and cash are not accepted for online sales.

Non-members can purchase starting July 3, 2013 at 10:00 AM Eastern time, but only if paying by Visa. If you are a non-member that wants to pay by Amex, MasterCard, debit, or cash, you must wait until July 10, 2013 at 10:00 AM Eastern. Note debit and cash are not accepted for online sales.

Your best bet is to use the online site at http://tiff.net/thefestival, but you can also call (416) 599-TIFF or 1-888-599-8433, or visit the TIFF Bell Lightbox at 350 King St W. Note that the TIFF Bell Lightbox only does sales from June 25 to August 19. Starting August 20 a special festival box office will open.

Generally, most packages do not sell out with one exception; the Premium Flex Pack sold out the first day of Member sales last year. They released additional Premium packs the first day of sales to non-Members paying by Visa, but they sold out that same day. So if you want a Premium Flex Pack, I would recommend purchasing it as soon as possible. For all other packs you can buy at your leisure.

Saturday, June 22, 2013

TIFF 2013 Ticket Packages

The festival has released details on ticket packages for the 2013 Toronto International Film Festival, which is on from September 5 to 15, 2013.

Full credit to the festival this year for including far more information and details this year on the ticket packages, pricing, and process. Check out the official festival site here:

http://tiff.net/thefestival/tickets/wizard

The Ticket Wizard provides help on selecting which package may be best for you.

The Product List provides information on each ticket package and on single tickets, including a detailed breakdown of pricing.

The Key Dates page provides important dates you should keep an eye on.

Ticket Info has information about the ticketing process.

Ticket Policies has information about conditions and restrictions, such as how many packages you can buy per account.

FAQ has answers to frequently asked questions.

Some initial observations on the ticket packages for this year:

  • I think prices are up very slightly; note this year they are including HST (provincial/federal sales tax) in their listed prices (but not the additional fees that may be tacked on). I think in previous years they had excluded HST and fees from the listed prices.
  • There's no separate 10-ticket pack; it's been included in the "Regular Flex Pack", which allows you to by in increments of 10 tickets from 10 to 100.
  • The Contemporary World Cinema TIFF Choice Pack is slightly different this year; you get extended Q&As with each of the 5 films.
  • Note the Premium Flex Pack, Back-Half Pack, and Daytime Pack My Choice ticket packages each have two sizes; e.g. the Premium Flex Pack has one version with 6 tickets, and another version with 12.
  • The Online system will be used again this year; Members have earlier windows for ticket purchase and selection as always, determine by their specific member level.
  • For My Choice Packages, there is a limit of one package type per account; i.e. you can't buy 2 Daytime Packs; however, with these packages you can get 4 tickets per screening per account. Exchanges are allowed only prior to the day of screening.
  • For TIFF Choice Packages, you can buy up to 4 per account; there doesn't appear to be a restriction on type; e.g. you could buy 2 Midnight Madness packages. No exchanges are allowed on tickets in these packages.
Important dates to keep in mind (dates in bold represent points of interest for non-TIFF Members):
  • June 25, 2013: Ticket packages go on-sale to TIFF Members at 10:00 AM ET
  • July 3, 2013: Ticket packages go on-sale to the general public, but only if paying by Visa, at 10:00 AM ET
  • July 10, 2013: Ticket packages go on-sale to the general public for all payment methods at 10:00 AM ET
  • August 19, 2013: Ticket selection windows are e-mailed to people who have purchased My Choice Packages
  • August 20, 2013: Official Film Schedule released
  • August 21, 2013: full film schedule posted online
  • August 22 - 23, 2013: TIFF Patrons Circle Members can purchase single tickets
  • August 24 - 27, 2013: TIFF Contributor Members and up make My Choice Regular Flex Pack and Premium Flex Pack ticket selections
  • August 27 - 30, 2013: Everyone else makes My Choice Regular Flex Pack and Premium Flex Pack ticket selections
  • August 30, 2013: By 7:00 PM ET, all My Choice package choices must have been submitted
  • August 31, 2013: TIFF Choice Package holders are notified of what films they will be seeing
  • August 31, 2013: At 9:00 AM, off-sale screenings (i.e. sold out screenings) will be posted at tiff.net.
  • September 1, 2013: Single tickets go on sale to everyone at 9:00 AM ET.
  • September 2, 2013: At 9:00 AM ET, My Choice ticket holders can pick up their tickets and make exchanges.
  • September 2, 2013: My Choice Back-Half and Daytime Package holders make ticket selections






Monday, September 17, 2012

TIFF 2012 Recap

Well, another festival is in the bag. Did 26 movies spread over 46 hours (with about 26 hours of standing in lines).

Things that worked well:

  • General consensus seems to be that the new ticketing system worked well, and was a welcome improvement over previous years; credit to the technical team and TIFF for putting together a system that appears to have avoided many of the performance issues faced in the past.
  • Most of the people that I saw mention issues around being able to log in or fulfill orders appear to have been able to call the box office and get their orders processed over the phone, and for the most part it seemed like issues were fixed relatively quickly without having to take down the whole site, which I know can be challenging if not impossible.
  • The new ticketing system allowed you to see exactly what you were getting and to make your own changes in real-time, rather than having to go the voucher/exchange route.
  • The ability to get the Flex package in 10-ticket increments was good for those of us picking large numbers of movies, and being able to get more than 1 ticket per screening in the My Choice packages helped in sharing packages amongst friends and family.
  • The Premium package was a good replacement for the old Visa Screening Room packages or not being able to pick premium screenings in advance at all.
  • The Festival started accepting other credit cards besides Visa.
  • I liked the approach of having slides listing the sponsors before the movie, so that the programmers didn't have to go through the whole spiel before introducing the film; too bad they couldn't do that in all the screenings.
  • Usual kudos to all the volunteers for helping to put on another good festival.
  • Used tiffr.com again this year to help with planning, and as usual, it was a big help.
  • An option for online voting for People's Choice was also a nice touch, although it's still a bit unclear on how they actually tabulate votes (e.g. do they account for different size audiences at all?)

Things that could use improvement:
  • The quantity showing 0 in dropdowns on the ticketing site; most people, including myself, assumed that meant the film was off-sale, when that might actually not have been the case. While there's probably nothing technical that could be done to get around that, a bit more information would probably help.
  • On that note, it would have been nice to have more information around the new ticketing system overall prior to logging in, to relieve a lot of the uncertainty everyone had with the new approach. Thanks to blogs like In a TIFF http://inatiff.com/ and commenters like mathew5000 for providing early information and tips on the process; it definitely helped me plan out my session! And I think people liked the screenshots I was able to post after my picks were done. Even if it's on a secondary FAQ page, more information, not less, would be helpful especially to all those festival die-hards who are also the people most likely to gripe and complain (myself included).
  • The whole virtual waiting room concept needs a bit more work, especially since it's not actually first-come-first-serve, and the text on the screen really doesn't help those poor souls that actually believe the timer is counting down to when they'll be let in.
  • It would have been extremely helpful to have a public listing of off-sale films, so people can plan out their schedules before their selection windows, especially given the time limit. Only seeing availability once you've logged in doesn't give you much time to hunt around for backups unless you're really prepared. Given the fact that everything is online and connected, it would seem this would be more achievable now than in past years. Thanks, though, to all the commenters who were good enough to post off-sale screenings after their picks, to help those who would come later.
  • A few people seemed not to have realized that the back-half and daytime packs had selection windows after tickets went on sale to the general public. While the dates were visible on the site, if you were only looking for a daytime pack, it would be easy to miss the fact that you'd be picking after everyone else. It would have been better to make that clear on the site when purchasing packages.
  • Also, people who commented on my site seemed to think that the lower per-ticket price for those packages was not worth the reduced selection. The day before the daytime/back-half ticket window, there were 186 screenings that were off-sale, including most of the big ones (e.g. Argo, The Master, Cloud Atlas, etc.)
  • More detail was needed earlier on how the pricing of the Flex Package broke down (e.g. if you wanted to buy 60 tickets, it wasn't clear in advance how much that would actually cost).
  • It should also have been clearer exactly how many My Choice regular/premium or TIFF Choice packages you could buy in one transaction.
  • There also needed to be more details on the times for ticket selection windows for the different TIFF member levels and the public. Dates alone are never sufficient.
  • Definitely could've used a bit more variety in the trailers this year; by the end I had all the dialog from the L'Oreal trailer memorized (I did end up looking up exactly what a key light is in cinema :-)). The Midnight Madness crowd had a good way of dealing with all this.
  • On a side note, people have commented on how it seems like every year there's less and less morning screenings. Out of curiosity, I ran the numbers, and in 2003, there were 79 screenings that started before 12:00 PM. In 2012, there were 85, but there's also one extra day that didn't exist in 2003. More interestingly, if you ignore weekends, 2003 had 55 morning screenings, but in 2012 there were only 19. So if you're wondering why it's harder and harder to see 50+ films in a year, there's one answer for you.

Thoughts on some of my films this year:
  • Rust and Bone: I've never been particularly fond of Marion Cotillard in English, but I really liked her in this film. And the special effects were pretty amazing, as anyone who has seen this film could attest to; I'm still not entirely sure how they did it all.
  • Imogene: a really entertaining and endearing film, if a bit goofy in places, but Kristen Wiig gives a more grounded performance, which helps.
  • The Place Beyond the Pines: while I didn't necessarily like this as much as Blue Valentine, I thought there was some strong acting from Ryan Gosling and Bradley Cooper and some surprises in the film.
  • A Liar's Autobiography: interesting approach to use animation to illustrate the tapes Graham Chapman made before his death, but it felt like the movie lagged in places, especially towards the end. As the directors pointed out, this is *not* a Monty Python film, and you'd do well to keep that in mind if you're planning on seeing it.
  • How To Make Money Selling Drugs: slyly starts out styled like an infomercial, but eventually reveals the social, financial, and criminal impact of the war on drugs and posits different solutions to a seemingly intractable problem.
  • Love Is All You Need: enjoyable, much lighter than some of Bier's other films; given the setting, plot, and the casting of Pierce Brosnan, I'm tempted to describe this as Mamma Mia with less singing and more cancer, but that trivializes lead actress Trine Dyrholm's fine performance.
  • At Any Price: found Dennis Quaid's character almost too fake and superficial in the first half of the film, but it provides a sharp contrast with his true self revealed in the latter half.
  • Antiviral: very stylish, reminiscent of elements of director Brandon Cronenberg's father's work, but I think he still made it his own. Fascinating speculation/satire on how far we might actually take celebrity worship. Nice touch with the voice cameos from Ben Mulroney and Tanya Kim.
  • Tai Chi 0: entertaining, action-packed, and funny, made me want to see the next film in the series.
  • In Conversation with Jackie Chan: consensus in the crowd seemed to be that it might have been better to get someone like Colin Geddes to moderate this one. The Chris Tucker cameo was nice surprise (and nicer still they got him off quickly), and the trailers and featurettes shown for his new film made me want to see it. There wasn't much time for audience Q&A so it felt rushed, but in any case there were way too many people with personal pleas/comments as opposed to questions, which was frustrating and uncomfortable at times.
  • Storm Surfers 3D: almost made me want to take up surfing, at least up until the point where Tom Carroll gets slammed by a wave and almost drowns. As a plus, the directors got Ross Clarke-Jones on the phone during the Q&A.
  • Key of Life: one of my favourites, a really entertaining, funny, and well-constructed story.
  • Ghost Graduation: another favourite, it's the Sixth Sense crossed with The Breakfast Club. While not necessarily the most original story, the way it's put together and the actors themselves all combine to make something satisfying.
  • Imagine: a rather soft and quiet film, it is actually quite effective at putting you in the shoes of the blind, allowing you to experience the world as the lead character senses and describes it, without giving anything away visually.
  • Smashed: short but sweet, Mary Elizabeth Winstead gives a very good performance as an alcoholic school teacher who finally realizes she has a problem. Also helped by Aaron Paul and Nick Offerman in a more dramatic turn.
  • Passion: this is not a subtle film by any stretch of the imagination, and the style is laid on quite thick in the last third of the film compared to some of his other work, more than I would have liked. But as De Palma said in the Q & A, he wanted to visually portray the mind of Noomi Rapace's character as well as find a different take on scenes that have been done to death in other films and TV, and he definitely succeeded on that front. I did like Rachel McAdams playing a manipulative character and not the wide-eyed innocent.
  • Much Ado About Nothing: I thought it was a great adaptation, although the modern setting with the original dialog took me a bit to get used to at first. But the film definitely won me over, and I especially enjoyed the rapport between Alexis Denisof as Benedick and Amy Acker as Beatrice. The rest of the cast was good as well, including Reed Diamond, Clark Gregg and Fran Kranz. And I can't forget Nathan Filion (it would've been funny if Stana Katic somehow showed up while Filion was interrogating the villains of the piece).
  • Blancanieves: very much a dark fairy tale of a young girl with no end of misfortune in her life. And I barely recognized Maribel Verdu as the evil Encarna.
  • The Thieves: a stylish heist movie, with a great action set piece on the side of a building. This film is interesting in that it essentially changes focus on who the main characters are midway, asking you to shift your allegiances and sympathies, which is a bit confusing and disconcerting.
  • Laurence Anyways: intriguing film, though going in I thought the running time would be a problem, especially after reading reviews, but I found it didn't bother me and helped to fill out the main character's journey.
  • Thale: seems like it may have come from, or could have been, a short film; it's like a Scandinavian fairy tale of sorts.
  • Room 237: kind of engrossing film, with some really interesting theories about hidden meaning in The Shining, although there are many points that seem to be a stretch. The film never takes sides or provides an opinion, it just provides an non-judgmental forum for people to air their thoughts. I thought the most interesting ones were simultaneously running two copies of the film over one another (one playing forwards and the other backwards, revealing some startling coincidences), and the various long dissolves of one scene into another.
  • Motorway; not a bad action film, with some innovations, but also some cliché plot elements, and a number of chase scenes were difficult to see because they were shot in close up or in the dark.

Miscellaneous thoughts overall:
  • Favourite comedies: Key of Life and Ghost Graduation, with Imogene an honourable mention
  • Favourite dramas: Imagine and Much Ado About Nothing
  • Favourite documentary: Storm Surfers 3D
  • Favourite Canadian film: Lawrence Anyways
  • Favourite action film: The Thieves
  • WTF?! Award: The End of Time
  • Screening with the most celebrity wattage: was a bit sparse this year because of the screenings I picked, but probably Imogene wins with Kristen Wiig, Darren Criss, and Natasha Lyonne. Honourable mention to In Conversation With Jackie Chan just because of who he is (plus the surprise cameo by Chris Tucker), and to Passion, just because Brian De Palma showed up to do a Q&A even though the screening was in the back-half of the festival.
  • I wonder if anyone asked Deepa Mehta in the Q&A for Midnight's Children what she plans to do next year for the TIFF volunteer trailer :-)
  • The team, or at least part of it, from NPR's Pop Culture Happy Hour (of which I am an avid listener) made the trek to TIFF this year and posted a number of reviews, and even did their regular podcast by borrowing a studio from the CBC. Have a listen for their take on TIFF and Canadian culture in general.

Monday, September 10, 2012

In Conversation With Jackie Chan

Some pictures from the Mavericks presentation of In Conversation With Jackie Chan:

Jackie Chan being interviewed by festival director Cameron Bailey:


Special surprise guest Chris Tucker (who happened to be in town for the Silver Linings Playbook):


Jackie Chan with some of the co-stars from his new film Chinese Zodiac (he also showed a number of trailers and behind-the-scenes featurettes for the upcoming film):

Friday, September 07, 2012

Imogene

Imogene features Kristen Wiig as the titular Imogene, a once-promising playwright who has let her talents lie fallow in favour of whiling away time with her high society friends and boyfriend in New York City. A series of events causes her to hit a nadir in her life, which leads her back to her dysfunctional family in New Jersey, headed up by her larger-than-life mother, played with gusto by Annette Bening.

This was a warm and funny film, never failing to get a laugh out of the audience at the premiere. While the characters all had their eccentricities, the film still felt grounded and relatable, and both Wiig and Bening give really good performances. Well worth seeing, and there still appear to be tickets available for the Saturday, September 8 showing. Bening and co-star Matt Dillon were unable to appear at the premiere because of conflicts, but are trying to make it in for subsequent screenings. Wiig, directors Robert Pulcini and Shari Springer Berman, screenwriter Michelle Morgan, and much of the rest of the cast including Darren Criss did make it to the premiere.

Kristen Wiig leaving the premiere of Imogene:




TIFF TTC Tips

Some tips if you're taking the TTC during the festival:

  • The weekend of September 8 and 9, 2012, there is no subway service between Union Station and St. Andrew Station. This may affect you if you are trying to go between TIFF Bell Lightbox/Scotiabank/Roy Thomson Hall/Princess of Wales and Elgin/Yonge & Dundas, or trying to get to TIFF Bell Lightbox/Scotiabank/Roy Thomson Hall coming south on the Yonge line. Get off at stations on the Yonge line and walk or take a streetcar over to the University line.
  • Sunday to Friday, after about 12:20 AM or so (until December 2013), subway service stops between Eglinton and Finch stations on the Yonge line. Bus service replaces it during this period. This may affect you if you are seeing a Midnight Madness film.
  • Subway service on Sundays starts later than on other days. For example, the first train leaves Finch at 8:57 AM on Sunday, as opposed to 5:57 AM every other day. Note this if you have a 9:00 AM screening.

Sunday, September 02, 2012

TIFF 2012 Individual Ticketing Process

If you are purchasing individual tickets for TIFF 2012, you may first get shunted to a virtual waiting room if the load on the system is high.


Note that the countdown timer refers to when the page will automatically refresh, not necessarily when you will be let in; the counter may simply reset to a new number (and that number is pretty random, on refresh I've seen new times anywhere from a few hundred seconds to over 2,000). You may also want to try opening multiple browser windows or tabs as well; I was let in on one that wasn't the very first one I opened.

Once you are let into the system, you will see a welcome page:


You can then select films by date (By Schedule) or by title. The image below shows picking by date:


When you click a date in the calendar, you will see a list of all screenings. Click on the time of the screening you want to attend:


You will then be taken to a screen where you can indicate how many tickets (up to 4 per screening) you wish to purchase:


The tickets will be placed in your shopping cart. Note the timer at the top of the screen. Once you pick your first screening, you have 30 minutes to check out. I'd recommend you leave time to actually complete the payment process within that time limit.


If you want to pick by title, you'll get a screen where you can click a letter of the alphabet and see all films starting with that letter. Note that in the My Choice ticketing process, people had more luck (i.e. less errors) using the By Schedule view.


If you click a title, at the bottom of the page you will see all the screenings for that film. Click the one you want to see, and then you will be directed to the quantity page as shown previously.


When you are ready to checkout, click the Checkout button at the top of the screen. Fill out the relevant information and finish the payment process:



If you encounter a server error any time during the process, it appears that some people have had success refreshing their browser; your shopping cart may need to be refilled after doing this however. Note, do this at your own risk as it's also possible you could get booted back to the virtual waiting room if past experience is any guide. You could also try calling TIFF customer service, but it's unlikely you'll be able to get through to anyone as the phone lines will likely be busy with people trying to phone in their orders.

I ran into an error once while I was online, and I had to refresh about 3 times before it took me back into the site, but other than that there were no problems.

If a screening is marked off-sale, it is sold out. However, some people have reported checking back on the film before they checked out of the site, and a previously off-sale film had appeared back on-sale, so you may want to double-check.

 
 
 


 

TIFF 2012 Individual Ticketing Tips

The site is up to purchase individual tickets. Some quick tips:

  • If you get shunted into the virtual waiting room, note that when the countdown timer reaches 0, it will not necessarily let you into the site; it may simply refresh the counter.
  • The site will redirect your window automatically to the ticketing site when a slot open; this will not necessarily occur when a counter reaches 0, so keep a close eye on your browser.
  • Try opening multiple browser windows; you will get a different refresh count for each, and I had one of the windows let me in eventually (and not necessarily the first I opened).
  • The actual site is similar in appearance to that for the My Choice packages. Note once you pick your first ticket, you have 30 minutes to check out.

Saturday, September 01, 2012

TIFF 2012 Upcoming Dates

Now that ticket selection for My Choice packages has ended, upcoming dates to keep in mind include:

  • Sunday, September 2: At 10:00 AM, single tickets go on sale. Anyone can purchase individual tickets to screenings at this point.
  • Monday, September 3: People who have purchased Back-Half or Daytime ticket packages can go in and select their screenings. Selections can be made up until September 5 at 7:00 PM.
  • Tuesday, September 4: Ticket package holders can go to the Festival Box Office (or the appropriate member box office for TIFF Members) to pick up their tickets. Note that if you aren't making any exchanges (on My Choice packages), then there's no point to showing up first thing when the box office opens; you should probably wait until the crowds die down. TIFF Choice package holders should have already received an e-mail outlining their scheduled screenings.
If you want to know what screenings are sold out, check out the official TIFF off-sale page at http://tiff.net/offsale, or check out the page http://tifftalk.blogspot.ca/2012/08/tiff-2012-sold-out-screenings.html in this blog.

When picking up tickets, don't forget to print out any confirmation e-mails, and to bring along the credit card you used to purchase your tickets/packages, and government-issued ID.

Official TIFF Off Sale List

TIFF has finally put up a page listing off-sale screenings. It can be reached here:

http://tiff.net/offsale

Saturday, August 25, 2012

My 2012 Films

My films for 2012 include:

  • Antiviral (Brandon Cronenberg, Canada): interested to see how his style compares to that of his father.
  • At Any Price (Ramin Bahrani, USA): with Dennis Quaid, Zac Effron, and Heather Graham. My friend really liked Goodbye Solo, another of Bahrani's films.
  • Blancanieves (Pablo Berger, Spain/France)
  • The Color of the Chameleon (Emil Christov, Bulgaria)
  • The Deflowering of Eva van End (Michiel ten Horn, The Netherlands)
  • The End of Time (Peter Mettler, Canada/Switzerland)
  • Ghost Graduation (Javier Ruiz Caldera): this one sounds fun.
  • How to Make Money Selling Drugs (Matthew Cooke, USA): sounds interesting, and where else are you going to find Susan Sarandon in the same film as 50 Cent?
  • Imagine (Andrzej Jakimowski, Poland/France/Portgual)
  • Imogene (Robert Pulcini, Shari Springer Berman, USA): with Kristen Wiig, Annette Bening, and Matt Dillon.
  • In Conversation With... Jackie Chan: couldn't pass this one up.
  • Key of Life (Kenji Uchida, Japan)
  • Laurence Anyways (Xavier Dolan, Canada/France): saw Dolan's last film, Heartbeats, at the festival.
  • A Liar's Autobiography - The Untrue Story of Monty Python's Graham Chapman (Ben Timlett, Bill Jones, Jeff Simpson, United Kingdom): can't believe it's been 23 years since Chapman died.
  • Love is All You Need (Susanne Bier, Denmark)
  • Motorway (Soi Cheang, Hong Kong): sounds great, plus saw Accident and many Johnnie To films at the festival before
  • Much Ado About Nothing (Joss Whedon, USA): was a fan of Firefly and Dollhouse, so curious to see what Whedon and his regular cast do with Shakespeare
  • Passion (Brian de Palma, France/Germany)
  • The Place Beyond the Pines (Derek Cianfrance, USA): saw Blue Valentine, so interested to see what Cianfrance and Gosling produce this time around
  • Room 237 (Rodney Ascher, USA)
  • Rust and Bone (Jacques Audiard, France/Belgium)
  • Smashed (James Ponsoldt, USA)
  • Storm Surfers 3D (Christopher Nelius, Justin McMillan, Australia): saw Pina in 3D last year; this is this year's 3D pick, and it sounds like it should take full advantage of the medium
  • Tai Chi 0 (Stephen Fung, Hong Kong): the director of Gen-X Cops and fight choreography by Sammo Hung? Sure, why not!
  • Thale (Aleksander L. Nordaas, Norway)
  • The Thieves (Choi Dong-hoon, South Korea)

TIFF 2012 My Choice Online Ticketing

If you bought a My Choice ticket package for TIFF 2012, then you will be able to select your films ahead of the actual festival. This page describes the process for selecting those films.

1. First, decide on which films you want to see, and when you want to see them. Make a list of the films and times and sort by date and then name. If you are selecting tickets for more than just yourself, then also note the number of tickets you want for each screening. This will make it faster to select your films. You may also want to note any backup choices in case your first choice is sold out.


2. Check the e-mail you received from TIFF with your start time. If you did not receive an e-mail, then contact TIFF customer service. On or after your start time, go to http://tiff.net/gettickets/packageticketselection. If you do not have access to a computer, then you can call or visit the Festival Box Office to make your selections on or after your start time.

Enter the e-mail address and the password you set up when you purchased your ticket package, along with the Package Code that was in your e-mail. If you received more than one Package Code, then you must complete each package one-at-a-time. Note that if you did not purchase all your packages in one transaction, then you may receive different start times for each package.


If the start time for your package has not yet arrived, the site will alert you that your e-mail address, password, and package code are correct, but that you cannot sign in yet. If you continue to get this message even after your start time, then contact TIFF customer service.

3. Once you have successfully signed in, you will see the screen below:


Note the instructions on the screen. Once you select your first screening, you will have 60 minutes to complete your selections and checkout. If you fail to checkout before the 60 minutes are up, your order will be cancelled out, and you will receive vouchers instead of your selected screenings. If you checkout but don't pick all your screenings, you will receive vouchers for the remaining tickets.

Note once you checkout and then log out of the system, you will not be able to re-enter with that package code. You must make all your selections in one shot.

4. Now you can begin to select your films. You can search for films by schedule (i.e. by date), or by title. People have generally reported more success with searching by schedule. Click on the day of the screening you want to see. In this case, we will click on Friday, September 7.


5. You will now see a listing of all the films on that day, along with the time of the screening.


If a particular screening is sold out, it will be marked as such instead of showing the time of the screening. In the image below, The Brass Teapot has been marked off sale and cannot be selected.


6. Scroll to the screening you desire and click the time. Here, we are picking Rust and Bone at 12:00 PM.

 

7. You will be taken to a window where you can select the number of tickets you want to use. If the dropdown is empty or only has a 0, then click the By Schedule button at the top of the screen and try again, or make one of your other choices first and then try the original film again.


8. Once you have selected your quantity of tickets, click the Add To Cart button at the bottom of the page. This will take you to your shopping cart where you can see your selections.


9. Repeat steps 4 to 8 for the remaining tickets in your package. You can check the total at the bottom of your shopping cart to see if you've used all your tickets yet.

Also keep an eye on the timer at the top of the page. Most people have completed their orders in under 30 minutes, but if a lot of your screenings are sold out and you end up searching for backups, you could eat up time quickly. TIFF recommends that you checkout before the timer gets to 5:00 remaining.

10. Once you have used all your tickets, click the Checkout button at the top of the page. The Checkout screen should already show your first name and last name. Re-enter your Package Code in the indicated field, and then click the Continue button.


11. On the confirmation screen, do one final check to make sure your screening selections are correct and that you've used up the proper number of tickets. If everything is ok, then click the "Yes, I have completed my package ticket selections" box and click the Submit button.


12. You should then see a Order Complete screen. Note the reservation number for your records. You will also receive this number in a confirmation e-mail, but it's probably a good idea to note it in case you don't get the e-mail.


13. You can pick up your tickets starting September 4 at the Festival Box Office at Metro Centre. You will need a print out of your confirmation e-mail, the credit card you used to purchase your package, and government-issued ID. TIFF Members can pick up their tickets at the Member Box Office or the Bell Lightbox (the latter only for Patrons Circle Members).

If you encounter any error messages while filling out your order online, try clicking the By Schedule or By Title buttons; do not try to logout. I got an error once, but I just clicked on the By Schedule button and was able to continue on; my session was still active and my shopping cart still had all my selections.



 

TIFF 2012 Sold Out Screenings

This post is a placeholder for people to add comments for any films that they notice as sold out when completing the online ticketing process for My Choice packages for TIFF 2012. Feel free to post a comment for anything you see as sold out when you log in to make your picks to help others out.

Update (2012/09/02 9:33 PM): Updated list with additional off-sales:

2012-09-06
After the Battle
End of Time, The
Far Out Isn't Far Enough: The Tomi Ungerer Story
Kinshasa Kids
Looper
On the Road
Rust and Bone
Ship of Theseus
Tabu

2012-09-07
7 Boxes
After the Battle
All That Matters is Past
Anna Karenina
Call Girl
Deep, The
How to Make Money Selling Drugs
Imogene
Like Someone in Love
Master, The
Me and You
Men at Lunch
On the Road
Out in the Dark
Pervert's Guide to Ideology, the
Picture Day
Place Beyond the Pines, The
Rust and Bone
Seven Psychopaths
Shanghai
Short Cuts Canada: Programme #1
Spring Breakers
Stories We Tell
Wasteland

2012-09-08
Amour
Anna Karenina
Argo
Attack, The
Blancanieves
Brass Teapot, The
Capital
Cloud Atlas
Color of the Chameleon, The
End of Time, The
End of Watch
Everybody Has a Plan
Imogene
Inch'allah
Jackie
Kon-Tiki
Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman, A
Lunarcy!
Master, The
Me and You
Men at Lunch
Much Ado About Nothing
Perks of Being a Wallflower, The
Picture Day
Place Beyond the Pines, The
Road North
Satellite Boy
Seven Psychopaths
Short Cuts Canada: Programme #1
Short Cuts Canada: Programme #2
Stories We Tell
Thanks for Sharing
Underground
Wasteland
Wavelengths 2: Documenta
West of Memphis
What Maisie Knew
Yellow

2012-09-09
7 Boxes
9.79*
American Masters: Inventing David Geffen
At Any Price
Blackbird
Brass Teapot, The
Byzantium
Call Girl
Central Park Five, The
Cloud Atlas
Deep, The
Gatekeepers, The
Ginger and Rosa
Holy Quaternity, The
I Declare War
In the Name of Love
Krivina
Last Supper, The
Like Someone In Love
Mea Maxima Culpa: Silence in the House of God
Mr. Pip
Much Ado About Nothing
Museum Hours
Perks of Being A Wallflower, The
Pusher
Reluctant Fundamentalist
Road North
Sapphires, The
Short Cuts Canada: Programme #2
Silver Linings Playbook
Something in the Air
Spring Breakers
Thermae Romae
Wavelengths 3: I Am Micro
When Day Breaks
Zaytoun

2012-09-10
Capital
Casting By
Color of the Chameleon, The
Company You Keep, The
End, The
Ghost Graduation
Hunt, The
Iceman
Inch'allah
Late Quartet, A
Lords of Salem, The
Love Is All You Need
Midnight's Children
No
No Place On Earth
Quartet
Short Cuts Canada: Programme #3
To The Wonder
Underground

2012-09-11
Arthur Newman
Camp 14: Total Control Zone
Disconnect
Eagles
Hyde Park on Hudson
Key of Life
Museum Hours
Mushrooming
My Awkward Sexual Adventure
Passion
Sapphires, The
Short Cuts Canada: Programme #3
Short Cuts Canada: Programme #4
What Richard Did

2012-09-12
Beyond the Hills
Clandestine Childhood
Ghost Graduation
Hijacking, A
Hunt, The
Imagine
Late Quartet, A
Leviathan
Reality
Short Cuts Canada: Programme #4

2012-09-13
Bright Day, The
Inescapable
My Awkward Sexual Adventure
Passion
Penance
Reality
Short Cuts Canada: Programme #6

2012-09-14
Arthur Newman
Ghost Graduation
Ginger and Rosa
Leviathan
Paperboy, The
Passion
Penance
Short Cuts Canada: Programme #6
Spring Breakers
Thieves, The

2012-09-15
Argo
Capital
Cloud Atlas
Dangerous Liaisons
English Vinglish
Everybody Has a Plan
Hannah Arendt
Me and You
Paperboy, The
Song for Marion
Thermae Romae

2012-09-16
Amour
Color of the Chameleon
Imogene
Master, The
Picture Day
Reluctant Fundamentalist, The
To The Wonder
Zaytoun

Initial Ticketing Experiences

On Twitter, appears people have been generally having favourable experiences with the new online system for picking tickets for the My Choice packages. One person mentioned an issue with quantities not showing up in a dropdown, but they said something about switching from alpha to date selection solved the problem.

I'll post more information once I've had a chance to go through the system myself.

Update (2012/08/25 8:48 AM): Check out In a TIFF for a description of the online ticketing process and some tips.

Update (2012/08/25 9:02 AM): Check out matthew5000's comment for more info on the process.

Wednesday, August 22, 2012

Actors, Directors, and Others Attending TIFF 2012

The list of actors, directors, and others attending or expected to attend the festival has been announced. The full list can be found here.

Some highlights of the people coming to the festival:

  • Ben Affleck
  • Paul Thomas Anderson
  • Alan Arkin
  • Gemma Arterton
  • Oliver Assayas
  • Yvan Attal
  • Penn Badgley
  • Doona Bae
  • Javier Bardem
  • Jason Bateman
  • Noah Baumbach
  • Monica Bellucci
  • Gael Garcia Bernal
  • Halle Berry
  • Jim Broadbent
  • Pierce Brosnan
  • Edward Burns
  • Ken Burns
  • Nick Cassavetes
  • Jackie Chan
  • Derek Cianfrance
  • Lily Collins
  • Jennifer Connelly
  • Bradley Cooper
  • Marion Cotillard
  • Bryan Cranston
  • Darren Criss
  • James Cromwell
  • Brandon Cronenberg
  • Penelope Cruz
  • James D'Arcy
  • Keith David
  • Robert De Niro
  • Brian De Palma
  • Catherine Deneuve
  • Johnny Depp
  • Xavier Dolan
  • Stephen Dorff
  • Fran Drescher
  • Kirsten Dunst
  • Robert Duvall
  • Zac Effron
  • Elle Fanning
  • Colin Farrell
  • America Ferrara
  • Ralph Fiennes
  • Sophie Fiennes
  • Colin Firth
  • Matthew Fox
  • James Franco
  • Patrick Fugit
  • Victor Garber
  • Costa-Gavras
  • Greta Gerwig
  • Selena Gomez
  • Michel Gondry
  • John Goodman
  • Joseph Gordon-Levitt
  • Ryan Gosling
  • Jake Gyllenhaal
  • Michael Haneke
  • Tom Hanks
  • John Hawkes
  • Garrett Hedlund
  • Christina Hendricks
  • Emile Hirsch
  • Dustin Hoffman
  • Kate Hudson
  • Helen Hunt
  • Ice-T
  • Michael Ignatieff
  • Rian Johnson
  • Terry Jones
  • Neil Jordan
  • Chen Kaige
  • Catherine Keener
  • Anna Kendrick
  • Greg Kinnear
  • Keira Knightley
  • Harmony Korine
  • Olga Kurylenko
  • Hugh Laurie
  • Jude Law
  • Jennifer Lawrence
  • Nicholas Lea
  • Spike Lee
  • Tommy Lee Jones
  • Jared Leto
  • Barry Levinson
  • Laura Linney
  • Ray Liotta
  • William H. Macy
  • Rachel McAdams
  • Ewan McGregor
  • Deepa Mehta
  • Eva Mendes
  • Mads Mikkelsen
  • Julianne Moore
  • Viggo Mortensen
  • Bill Murray
  • Mira Nair
  • Mike Newell
  • Alessandro Nivola
  • Chris O'Dowd
  • Gwyneth Paltrow
  • Paula Patton
  • Oliver Platt
  • Sarah Polley
  • Francois Ozon
  • Dennis Quaid
  • Robert Redford
  • Vanessa Redgrave
  • Joely Richardson
  • Tim Robbins
  • Sam Rockwell
  • Saoirse Ronan
  • Eli Roth
  • Mark Ruffalo
  • Salman Rushdie
  • David O. Russell
  • Winona Ryder
  • Vik Sahay
  • Walter Salles
  • Andy Samberg
  • Adam Sandler
  • Susan Sarandon
  • Liev Schreiber
  • Will Smith
  • Snoop Lion
  • Michael Shannon
  • Molly Shannon
  • Alexander Siddig
  • Alexander Skarsgard
  • Maggie Smith
  • Will Smith
  • David Spade
  • Timoth Spall
  • Terence Stamp
  • Kristen Stewart
  • Kiefer Sutherland
  • Bruce Sweeney
  • Audrey Tautou
  • Juno Temple
  • Billy Bob Thornton
  • Marisa Tomei
  • Tom Tykwer
  • Karl Urban
  • Andy Wachowski
  • Lana Wachowski
  • Emma Watson
  • Naomi Watts
  • Hugo Weaving
  • Joss Whedon
  • Ben Whishaw
  • Kristen Wiig
  • Bruce Willis
  • Mary Elizabeth Winstead
  • Michael Winterbottom
  • Joe Wright
  • Zhang Ziyi
  • Slavoj Zizek
  • Rob Zombie

Tuesday, August 21, 2012

2012 Programme Book Gift Bag

If you pre-ordered the Programme Book, you should have gotten it with a gift bag (while supplies last). This year's gift bag included:

  • A tote bag sponsored by Timberland
  • A 237 ml bottle of Diet Coke
  • A container lined with freezer gel to keep food cold, from May Family Farms, and a $1 off coupon for deli meats
  • A container of mints from Audi
  • A box of matches from Weslodge Saloon
  • A condom and a package of lubricant from Durex
  • A bag of Orville Redenbacher popcorn and a coupon for one free bag
  • A buy-one-get-one-free coupon for a McDonald's McCafe beverage
  • A postcard from the Drake Hotel
  • A $5 coupon for Veet EasyWax electrical roll-on kit
  • A map of the festival venues from Timberland
  • A copy of Motivated magazine
  • A card outlining the benefits of TIFF membership
  • The Official Film Schedule
  • The Programme Book

Monday, August 20, 2012

Ticket Selection Windows for TIFF 2012

Today, August 20, 2012, TIFF sent out notifications of the ticket selection windows for anyone who purchased a My Choice ticket package. If you didn't receive a notification by e-mail, I suggest you check your junk mail folder or contact TIFF customer support if you really didn't get anything, but do it before August 23.

Starting August 21, the official film schedule will be released, which lists all the movies at this year's festival, and the dates and times at which the movies will be shown. You can view the schedule online, or pick up a paper copy at the Festival Box Office. If you purchased a Programme Book, you should also be able to pick it up starting on the 21st.

For TIFF Members, ticket selection will occur between August 23 and August 26. For non-TIFF Members, ticket selection will occur between August 26 and August 29. Your actual start time will have been e-mailed to you. Note that if you bought a Back Half or Daytime package, your ticket window will actually occur sometime between September 3 and 5.

If you bought multiple packages, you apparently will receive a separate login for each package. However, if you bought all your packages in the same transaction, you will get the same start time for all of them, but you may still have to login separately for each one.

You can make your selections online at the TIFF website anytime between your allotted start time and 7:00 PM on August 29. If you fail to make your selections by the 29th, then you must wait until 10:00 AM on September 3. You have from then until 7:00 PM on September 5. If you still fail to make your selections within that second period, after that you'll get vouchers that you can redeem for tickets, but you'll have to line up at the box office in person to do so.

If you don't have a computer to make your selections online, you can go to the Festival Box Office starting at your allotted time and the staff will assist you.

When you log into the site to make your selections, you must pick all your films in that session. You cannot make some of your selections, log out, and then log in again at a later date to finish. Once you log in, best information at this point indicates you may only have one hour to complete your selections, so plan your picks ahead of time. For example, if you bought a 60-pack, you would have to select one film on average every minute to complete on time.

Note that if you get a start time of say 8:00 AM on August 27, you don't have to log in at that very moment. You can login anytime from that start time until 7:00 PM on August 29. Whenever you do log in, you will have one hour to make your picks.

If you fail to make all your picks within your session, you will receive vouchers for the remaining films, which you can redeem at the Festival Box Office starting September 4.

Some tips:

  • Since you have a limited amount of time to select your screenings, plan your choices in advance. The full schedule will be available starting August 21, so you'll likely have a few days to plan out the films you want to see before your window opens.
  • Pick multiple backup choices in case your first choice is already sold out, especially if you are picking screenings likely to be more popular (e.g. ones with a famous cast or a lot of buzz). You may not have enough time available to pick an alternate on the fly.
  • The site may not prevent you from selecting conflicting screenings, so the onus is on you to make sure your screenings do not overlap. Don't forget to leave time to get from one film to another, and don't forget to account for the fact screenings may start late or run long with Q&A sessions (i.e. avoid scheduling movies within 30 minutes of one another unless they are in the same theatre, as you'll likely never make it).

Sunday, July 08, 2012

TIFF 2012 Ticket Packages on Sale for All Payment Methods July 9, 2012

A reminder, ticket packages for TIFF 2012 go on sale for all payment methods (Amex, Visa, MasterCard, debit, cash) tomorrow, Monday, July 9, 2012 at 10:00 AM Eastern time. You do *not* have to be a TIFF member to purchase a ticket package.

You can purchase:

  • Online at http://tiff.net/thefestival
  • By phone at (416)-599-TIFF or 1-888-599-8433
  • In person at TIFF Bell Lightbox, Reitman Square, 350 King St W, Toronto
Online is probably be your best bet.

The Premium Ticket Pack was sold out after the first day of sales to TIFF members and after the first day of sales to Visa cardholders,, but check back on Monday just in case.

Monday, July 02, 2012

TIFF 2012 Ticket Packages on Sale to Visa Cardholders July 3, 2012

A reminder, ticket packages for TIFF 2012 go on sale to Visa cardholders tomorrow, Tuesday, July 3, 2012 at 10:00 AM Eastern time. You do *not* have to be a TIFF member to purchase a ticket package starting July 3, but you must pay by Visa. If you do not have a Visa card, then you must wait until July 9, 2012 before you can purchase ticket packages by Visa, MasterCard, Amex, cash, and debit.

You can purchase:

  • Online at http://tiff.net/thefestival
  • By phone at (416)-599-TIFF or 1-888-599-8433
  • In person at TIFF Bell Lightbox, Reitman Square, 350 King St W, Toronto
Online would probably be your best bet provided the site doesn't have any issues.

The Premium Ticket Pack was sold out after the first day of sales to TIFF members, but there may be additional ones available on July 3.

My experiences at the Toronto International Film Festival. Note this blog is not affiliated with the Toronto International Film Festival Group or the festival itself.
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