Thursday, September 05, 2013

Bars and Parties Around TIFF

blogTO has a listing of bars with extended hours for TIFF around the downtown core

http://www.blogto.com/film/2013/09/50_bars_with_4am_extended_last_call_for_tiff_2013/

as well as TIFF-related or themed parties during the festival:

http://www.blogto.com/film/2013/09/tiff_party_guide_2013/

Monday, September 02, 2013

Ticket Trades

Due to popular request, I've created a page for comments for ticket trades and sales. Only post here if you are willing to trade tickets, or sell for the value you paid for the ticket. Do not post here if you are simply looking for tickets or are trying to sell above face value; I will delete such comments to keep the number of comments under control and to prevent scalping. To try to minimize issues, this blog now no longer accepts anonymous comments; you must sign into Google to post.

For people selling, the most a premium ticket should be is $46 (that includes tax and $1/ticket service charge), and the most a regular ticket should be is $24.50 (that includes tax and $1/ticket service charge). If you find anyone selling for more, post a comment and I will try to delete the offending post when I have time.

Double check any ticket before accepting it; I would not accept an under-25 or senior ticket unless you obviously fit that demographic, otherwise you risk not being admitted.

Use the information here at your own risk; I do not know anyone who may be posting here. If you do trade or buy, make sure whatever you receive looks and feels like your own ticket. Do not accept vouchers, e-mail confirmations, or anything else other than an actual ticket, otherwise you're probably getting scammed. If you have any issues, there is nothing I nor the festival can do for you; you're on your own.

Note if you do post here, you should delete your comment once you have gotten rid of your ticket, so that you don't continue to get inquiries.


Some people have already posted trades to the off-sale page (you may have to go to the newest comments to see it).

Sunday, September 01, 2013

TIFF 2013 Ticket Pickup Starts Tomorrow, Monday, September 2, 2013

Monday, September 2, 2013 is the first day you can pick up your tickets for My Choice, TIFF Choice, and individual ticket purchases. Go to the Festival Box Office (or if you are a TIFF Member, you can go to the appropriate TIFF Member box office) to pick up your tickets.

If you have a My Choice or TIFF Choice package, you will need your pickup vouchers, reservation #, photo ID, and the purchasing credit card for verification. Note if you used senior or student pricing you will likely also need those IDs as well. In practice, they may only check your voucher and photo ID, but I'd recommend having the other items as well to avoid any issues. If you lost your voucher, then according to the festival website, they can only be replaced in-person on September 2, and you will need the above items (minus the vouchers).

If you want to exchange selections (provided your package allows it), you can also do those starting September 2 and up to 7:00 PM the evening before the screening you are exchanging. Note that not all package allow exchanges.

If you are not doing any exchanges, I would recommend that you do not show up at the box office first thing on the 2nd, as people making exchanges will likely be there, and those usually take a long time, so you'll be waiting in line for nothing.

If you bought a TIFF Choice package, you should receive an e-mail on September 2 outlining the films the festival has selected for you.

If you purchased a Back-Half or Daytime package, your selection window will start on September 2. If you want to see which films are already off sale, you can go the site now for individual tickets and see which ones are unavailable.

Saturday, August 31, 2013

TIFF 2013 Experiences

I've had a couple of requests to create a thread where people can post their experiences, or must-sees, or must-avoids for TIFF 2013, so I've added this page for just that purpose. Please feel free to add in the comments any films you liked or disliked, or anything about your experiences at this year's TIFF. But try to avoid any long-winded rants or anything like that: I reserve the right to prune the comments down especially if things start getting out of hand. I'll see how this page goes this year, and if it's successful, I'll try to do this again next year.

Tips on Attending TIFF

I've had a few commenters asking about tips on attending the festival once you have you tickets in hand. I have a post for that (http://tifftalk.blogspot.ca/p/going-to-festival.html), but probably the most detailed information I've seen recently is on Larry Richman's blog, where he's put together a series of posts on what happens during the festival:

http://www.larry411.com/how-to-do-toronto-international-film-festival-real-tips-for-real-people-1
http://www.larry411.com/how-to-do-toronto-international-film-festival-real-tips-for-real-people-2
http://www.larry411.com/how-to-do-toronto-international-film-festival-real-tips-for-real-people-3
http://www.larry411.com/how-to-do-toronto-international-film-festival-real-tips-for-real-people-4

Some general things to note:

  • Theatres are generally not right next door to one another, so be sure you leave yourself enough time.
  • Public transit, especially the subway, is the best and fastest way to get around. Check out the Toronto Transit Commission's site at ttc.ca for information on fares, routes, closures, and service advisories. One important thing to note is that there are still nightly shutdowns of the Yonge subway between Eglinton and Finch stations every night (except Saturday). If you need to head north from downtown after a late film or Midnight Madness, keep in mind that you'll eventually be shunted onto shuttle buses.
  • One other thing to note with the subway: on Sunday, it starts up significantly later, so check the schedule for those days.
  • If you ask a question during Q&A after a film, keep it short and actually ask a question rather than just gushing; no one else wants to hear that.
If you have your own tips for others, feel free to post them in the comments.

TIFF 2013 Individual Tickets On Sale Sunday, Sept. 1, 2013

Individual tickets go on sale to everyone tomorrow, Sunday, September 1, 2013 at 9:00 AM Eastern. If previous years are any indication, the online system will be heavily loaded down when ticket sales start. You may get lucky and get in right away, but more often than not you will be shunted into a "virtual waiting room" which features a countdown timer. Not sure if they'll change the way that works this year, but note in previous years, the countdown didn't actually mean anything; you wouldn't actually gain entry at the end of the countdown, it would just reset more often than not.

You can also buy in person or by phone, but I've heard stories from other people who went in person that all the films they wanted were already off sale by the time they made it up to the counter.

You can check my post from last year on how online individual ticket sales work: http://tifftalk.blogspot.ca/2012/09/tiff-2012-individual-ticketing-process.html

If you want an idea of which films are off sale (i.e. sold out, you can check the official off sale page, or you can check my post here: http://tifftalk.blogspot.ca/2013/08/tiff-2013-off-sale-sold-out-screenings.html, or you can check the tiffr page commenter 12amMovies posted based on comments to this blog. Many thanks to 12amMovies for posting and updating the tiffr page, and everyone who contributed off-sale screenings to the page. I know people who came later definitely appreciated the information.

Since it will be difficult for people to login initially when individual sales start, if you do manage to get in and get a chance to see any additional off-sales, feel free to add them to my comment page: http://tifftalk.blogspot.ca/2013/08/tiff-2013-off-sale-sold-out-screenings.html.



Monday, August 26, 2013

My 2013 Films

Just finished selecting my films for 2013:

  • All About the Feathers (Neto Villalobos, Costa Rica): A small-town security guard finds his life changed when he adopts a rooster for cockfighting.
  • Attila Marcel (Sylvain Chomet, France): The first live-action film from the director of The Triplets of Belleville, follows Paul, 33 but arrested in his development. His neighbour helps to unlock his repressed childhood memories, letting his experience the world through musical fantasies.
  • Beyond the Edge (Leanne Pooley, New Zealand): A documentary covering the first ascent of Mount Everest by Edmund Hillary and Tenzing Norgay.
  • Blind Detective (Johnnie To, Hong Kong): To's latest finds Andy Lau as a blind private detective who teams up with cop Sammi Cheng to solve a variety of crimes.
  • Blue Is the Warmest Color (Abdellatif Kechiche, France): Palme d'Or winner this year at Cannes, about the relationship between a high schooler and an art student.
  • Can a Song Save Your Life? (John Carney, USA): From the writer/director of Once, a drama revolving around the music industry, with an all-star cast of both actors and musicians including Kiera Knightley, Mark Ruffalo, Catherine Keener, Hailee Steinfeld, Mos Def, CeeLo Green, and Adam Levine.
  • Cold Eyes (Cho Ui-seok, Kim Byung-seo, South Korea): Korean thriller follows a police surveillance team trying to catch a gang of bank robbers.
  • Dom Hemingway (Richard Shepard, United Kingdom): Jude Law plays a gangster recently released from prison who tears it up with his former sidekick, played by Richard E. Grant.
  • Don Jon (Joseph Gordon-Levitt, USA): Gordon-Levitt's feature film directorial debut, in which he also stars as a porn-addicted, womanizing lothario.
  • The Double (Richard Ayoade, United Kingdom): Jesse Eisenberg finds his life taken over by his doppelganger.
  • El Mudo (Diego Vega, Daniel Vega, Peru/France/Mexico): a crusading judge soon believes himself to be the target of a conspiracy after several incidents culminating in an attempt on his life.
  • Enough Said (Nicole Holofcener, USA): one of James Gandolfini's final roles, starring Julia Louis-Dreyfus as a divorced woman who is tentatively navigating a new relationship while dealing with her feelings about the past.
  • The F Word (Michael Dowse, Canada): Daniel Radcliffe falls in love with a girl already in a relationship, in this romantic comedy from the director of Goon, Fubar, and It's All Gone Pete Tong.
  • Gloria (Sebastián Lelio, Chile/Spain): Paulina Garcia plays a woman looking for love and life.
  • The Grand Seduction (Don McKellar, Canada): A small town tries to entice a big city doctor into staying permanently so they can win a new factory and save the town. Be interesting to compare and contrast this with La grande séduction (can't remember if I actually saw this at TIFF back in 2003 or not). Ken Scott, the original screenwriter, collaborated with Michael Dowse (who wrote and directed The F Word, which I'm also seeing this year).
  • In Conversation With Spike Jonze: interview with Jonze with clips from his new movie, Her, which stars Joaquin Phoenix.
  • The Love Punch (Joel Hopkins, United Kingdom/France): a romantic comedy-cum-heist movie starring Pierce Brosnan and Emma Thompson as a formerly married pair of thieves.
  • Lucky Them (Megan Griffiths, USA): Toni Collette plays a music journalist looking into the decade-old disappearance of a local musician, who just also happened to be her former boyfriend.
  • Man of Tai Chi (Keanu Reeves, USA/China): the directorial debut of Keanu Reeves, who also plays the organizer of an underground martial arts tournament that lures in Linhu (played by Tiger Chen), who needs money to save his master's temple.
  • The Past (Asghar Farhadi, France/Italy): From Oscar-winning director Farhadi (A Separation), The Past finds an Iranian man travelling to Paris to secure his divorce from his wife, but ends up being drawn in deeper into her life and that of their daughter.
  • Quai d'Orsay (Bertrand Tavernier, France): a political satire built around a French foreign minister and his staff.
  • A Touch of Sin (Jia Zhangke, China/Japan): won best screenplay at Cannes this year, and tells tales of four people driven by circumstance into violent action.
  • Unforgiven (Lee Sang-il, Japan): a remake of Eastwood's Unforgiven that transplants the action to late 19th-century Japan. I watched one of Lee's previous films, Hula Girls, at a previous festival).
  • The Wind Rises (Hayao Miyazaki, Japan): the latest film from Miyazaki and Studio Ghibli that tells a somewhat fictionalized story of the man who designed the Zero fighter, and which seems to have generated divided reactions overseas.
  • Words and Pictures (Fred Schepisi, USA): I usually end up seeing any film Juliette Binoche is in at the festival, and here she plays a painter locked in a debate with Clive Owen's English teacher over which form is the more expressive and meaningful.
  • You Are Here (Matthew Weiner, USA): Weiner's (Mad Men) feature film directorial debut, starring Zach Galifianakis as an offbeat fellow who ends up inheriting his estranged father's considerable estate, much to the chagrin of his sister, played by Amy Poehler.
You can also view this list at letterboxd.com.

My experiences at the Toronto International Film Festival. Note this blog is not affiliated with the Toronto International Film Festival Group or the festival itself.
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