Thursday, September 01, 2011

My 2011 Films

My films for this year include:

  • The Artist (Michel Hazanavicius, France), shot in the style of the silent era in which it is set
  • Burning Man (Jonathan Teplitzky, Australia), starring Matthew Goode
  • Dark Horse (Todd Solondz, USA)
  • Drive (Nicolas Winding Refn, USA), starring Ryan Gosling, Carey Mulligan, and Bryan Cranston, won for best director this year at Cannes
  • Edwin Boyd (Nathan Morlando, Canada), with Scott Speedman as the eponymous bank robber
  • Elles (Malgoska Szumowska, France/Poland/Germany), continuing my Juliette Binoche streak at the festival of L' Heure d'Ă©tĂ©, Le Voyage du ballon rouge, Quelques jours en septembre, and Paris, je t'aime)
  • From Up on Poppy Hill (Goro Miyazaki, Japan), from the son of famed anime director Hayao Miyazaki, directing his father's screenplay
  • I'm Yours (Leonard Farlinger, Canada), starring Rossif Sutherland, of the famous acting Sutherlands
  • In Conversation with... Francis Ford Coppola
  • Killer Elite (Gary McKendry, USA/Australia); despite having De Niro, Statham, and Owen, really just going to see it for Yvonne Strahovski :-)
  • Melancholia (Lars von Trier, Denmark/Sweden/France/Germany), with Kirsten Dunst, best actress winner at Cannes this year
  • Page Eight (David Hare, UK), with fairly high-powered UK cast including Bill Nighy, Michael Gambon, Ralph Fiennes, and Rachel Weisz among others
  • Pearl Jam Twenty (Cameron Crowe, USA), curious to see what Crowe has been up to since Elizabethtown (which I liked, btw)
  • Pina (Wim Wenders, Germany/France), 3-D tribute choreographer Pina Bausch; be interesting to see the use of 3-D here vs Wener Herzog's Cave of Forgotten Dreams that I saw last year at TIFF)
  • The Raid (Gareth Evans, Indonesia), my Midnight Madness action pick for this year
  • Sleeping Beauty (Julia Leigh, Australia)
  • Smuggler (Katsuhito Ishii, Japan), my Midnight Madness action/comedy pick for this year
  • Sons of Norway (Jens Lien, Norway), my one Scandinavian movie this year, sounds like it should be entertaining
  • That Summer (Philippe Garrel, France/Italy/Switzerland)
  • Urbanized (Gary Hustwit, USA/UK), Hustwit's follow up to Objectified, which I saw a couple of years ago at the Hot Docs festival
Because of work commitments, I'm compressing my schedule this year, so I likely won't be heavily blogging or reviewing films this year. Might tweet anything I really enjoy (or especially hate).

TIFF Tickets On Sale Saturday, September 3, 2011

If you didn't purchase a TIFF Choice or a My Choice package for TIFF this year, then you can buy tickets starting at 7:00 AM on Saturday, September 3, 2011.

You can purchase tickets at the Festival Box Office at Metro Centre, 225 King St W, Concourse level (enter off Duncan St).

You can also purchase tickets online from the TIFF web site (http://www.tiff.net/).

You can also purchase by phone at (416) 599-TIFF, or 1-888-599-8433.

All three methods will be extremely busy on the 3rd, so choose your poison.

If a screening is listed as Off Sale, then it means that it is sold out. You can try closer to or during the festival to purchase tickets for a screening, as occasionally additional tickets may be released.

Tickets for regular screenings are $19.69.

Tickets for premium screenings, indicated by stars on the right-side of the screening's box in the schedule, are $38.27.

Note that Visa is the only credit card accepted by the festival. If you are purchasing in person at the Festival Box Office, you can also pay by cash or debit.

For every purchase, a service fee is also applied:

Per Unit (i.e. ticket or package) Service Fee
$0.01 - $18.99 $1.00
$19.00-$37.99 $3.00
$38.00-$99.99 $4.00
$100-$499 $5.00
$500+ $10.00
CAP $10.00

Pick Up TIFF My Choice Tickets September 2, 2011

If you bought a My Choice package, you can pick up your tickets starting tomorrow, Friday, September 2, 2011. Go to the Festival Box Office at Metro Centre, 225 King St W, Concourse Level (enter at Duncan St), starting at 7:00 AM. Remember to bring your Pick Up Voucher in order to get your tickets!

You most likely received an e-mail sometime in the last few days saying which tickets you received and which you didn't. If your e-mail indicated any PCVREG01 items, that means you didn't get one or more of your first or second picks, and you will receive a voucher for each missed screening instead. This voucher can be exchanged for any regular screening. You can use your voucher on September 2, before tickets go on sale to the public, or use it anytime leading up to or during the festival. Redeem these vouchers anytime at the Festival Box Office, or you can also use them at the theatre box offices, but only on the day of the screening you want to see.

If you didn't receive an e-mail, don't panic; your order likely got processed in any case.

If you received all your picks, then I strongly recommend you do not go to the box office when it first opens. There is usually a huge line of people picking up their tickets and trying to make exchanges the same day; it is not unusual to spend hours in line.

If you bought a TIFF Choice package, you should also have received an e-mail listing your film selections. You can also pick up starting on September 2, but once again, since you effectively received all your selections, I would encourage you to go later in the day to pick up your tickets.

Monday, August 29, 2011

Box 20 of 33 Chosen

Thanks to TIFFReview's livestream, learned that box 20 of 33 was chosen as the starting point for processing Advance Order Books for TIFF 2011. The festival will start processing orders from that box, all the way up to box 33, before wrapping around to box 1, finishing up at box 19.

Sunday, August 28, 2011

Advance Order Books Due Tomorrow, August 29, 2011 at 7:00 PM

Just a reminder, if you are participating in the Advance Order process this year because you bought a My Choice package, all orders are due at the Festival Box Office at Metro Centre, 225 King Street W, before 7:00 PM on Monday, August 29, 2011. If you fail to return your orders before then, you will be processed after everyone else, so make sure you aren't late. This year, they've moved the drop off date to the evening, so hopefully that makes it easier for people finishing at the last minute.

For everyone else, tickets go on sale September 3, 2011, at 7:00 AM online, by phone, and in person at the Festival Box office.

Wednesday, August 24, 2011

What Are the Stars on the TIFF Schedule?

If you're wondering what the stars along the right-hand side of some of the films are in the schedule, that "star strip" indicates a premium screening for that film. A premium screening is a "red-carpet experience," and you cannot select these screenings with the My Choice film packages when you are filling out your Advance Order Book. For these premium screenings, you would have to have bought one of the TIFF Choice gala packages, or you can buy individual tickets when they go on-sale on September 3, 2011.

Note that directors, actors, and crew generally still show up to the non-premium screenings, so it's not vital that you go to a premium screening unless it's someone really big.

Tuesday, August 23, 2011

Actors, Directors, and Others Attending TIFF 2011

The list of actors, directors, and others attending or expected to attend the festival has been announced. The full list can be found here.

Some highlights of the filmmakers coming to the festival:

  • Alexander Payne
  • Bobcat Goldthwait
  • Bruce Beresford
  • Bruce McDonald
  • Cameron Crowe
  • David Cronenberg
  • Davis Guggenheim
  • Enrico Colantoni
  • Francis Ford Coppola
  • George Clooney
  • Gus Van Sant
  • Guy Maddin
  • Ingrid Veninger
  • James Franco
  • Jean-Marc VallĂ©e
  • Jennifer Westfeldt
  • Joel Schumacher
  • Johnnie To
  • Jonathan Demme
  • Ken Scott
  • Kore-Eda Hirokazu
  • Lasse Hallstrom
  • LĂ©a Pool
  • Luc Besson
  • Madonna
  • Marc Forster
  • Mark Duplass
  • Mathieu Kassovitz
  • Michael Glawogger
  • Michael Winterbottom
  • Morgan Spurlock
  • Nicholas Winding Refn
  • Ole Christian Madsen
  • Paddy Considine
  • Pen-ek Ratanaruang
  • Peter Lynch
  • Ralph Fiennes
  • Roland Emmerich
  • Sarah Polley
  • Terence Davies
  • Todd Solondz
  • Werner Herzog
  • William Friedkin
  • Wim Wenders

Actors and others attending include:
  • Alia Shawkat
  • Abbie Cornish
  • Adam Brody
  • Adam Scott
  • Albert Brooks
  • Alexander Skarsgard
  • Alison Pill
  • Allison Janney
  • Alexis Bledel
  • Anton Yelchin
  • Antonio Banderas
  • Arielle Kebbel
  • Ben Foster
  • Bill Nighy
  • Blake Lively
  • Brad Pitt
  • Bryce Dallas Howard
  • Carey Mulligan
  • Catherine Deneuve
  • Catherine Keener
  • Chace Crawford
  • Charlotte Rampling
  • Chloe Moretz
  • Chris Pratt
  • Christopher Plummer
  • Clive Owen
  • David Thewlis
  • Deepa Mehta
  • Dominic Monaghan
  • Elias Koteas
  • Emile Hirsch
  • Emily Blunt
  • Erin Brockovich
  • Ethan Hawke
  • Evan Rachel Wood
  • Ewan McGregor
  • Frances O'Connor
  • Freida Pinto
  • Gael Garcia Bernal
  • Geoffrey Rush
  • George Clooney
  • Gerard Butler
  • Glenn Close
  • Greta Gerwig
  • Harry Knowles
  • Hugh Dancy
  • Hugh Laurie
  • Isabelle Huppert
  • Jamel Debbouze
  • James Gandolfini
  • Jane Fonda
  • Jason Reitman
  • Jason Statham
  • Jay Baruchel
  • Jeffrey Dean Morgan
  • Jeffrey Wright
  • Jennifer Garner
  • Jennifer Hudson
  • Jennifer Lawrence
  • Jessica Chastain
  • Joely Richardson
  • Jon Hamm
  • Jonah Hill
  • Joseph Gordon-Levitt
  • Juliette Binoche
  • Juliette Lewis
  • Juno Temple
  • Keira Knightley
  • Kirsten Dunst
  • Kyle MacLachlan
  • Lauren Ambrose
  • Leighton Meester
  • Maggie Gyllenhaal
  • Marisa Tomei
  • Matthew Goode
  • Max Minghella
  • Maya Rudolph
  • Megan Fox
  • Michael Fassbender
  • Michelle Williams
  • Michelle Yeoh
  • Mira Sorvino
  • President Mohamed Nasheed of the Maldives
  • Neil Young
  • Nicolas Cage
  • Oliver Platt
  • Pascale Bussières
  • Patrick Huard
  • Pearl Jam
  • Philip Seymour Hoffman
  • Rachel Weisz
  • Rebecca Hall
  • Robin Wright
  • Rosemary DeWitt
  • Ryan Gosling
  • Salma Hayek
  • Salman Rushdie
  • Sam Neill
  • Saoirse Ronan
  • Sarah Silverman
  • Scott Speedman
  • Seann William Scott
  • Selma Blair
  • Seth Rogen
  • Shahid Kapoor
  • Terrence Howard
  • Tilda Swinton
  • Tom Hiddleston
  • U2
  • Viggo Mortensen
  • Willem Dafoe
  • Woody Harrelson

Monday, August 22, 2011

Advance Order Process Begins Tomorrow, August 23, 2011

The Advance Order process for TIFF 2011 begins tomorrow, Tuesday, August 23, 2011. If you purchased a My Choice package (50-film pack, 30-film pack, 20-film daytime pack, or the 10-ticket flex pack), you participate in the Advance Order process. If you bought a TIFF Choice package, you don't have to do anything. Note all the My Choice packages are sold out, so if you missed out this time, you have to wait until individual tickets go on sale to the public on September 3, 2011.

If you bought your My Choice package before August, you should have already received in the mail an envelope voucher, a drop-off voucher, and a pick-up voucher. If you purchased a programme book, you should have also received a voucher for that. If you purchased your My Choice package in August, or you are a student or senior, you can go to the Festival Box Office starting August 23 to receive your vouchers. Remember to bring photo ID, and if you are a student or senior, ID that attests to that.

Starting Tuesday, August 23, 2011, go to the Festival Box Office at Metro Centre, 225 King Street W, on the Concourse Level (that's down from street level). Enter off of Duncan Street. The box office is open from 7:00 AM to 7:00 PM  on August 23, and 10:00 AM to 7:00 PM from August 24 to August 29. Note you do not have to show up first thing in the morning; in fact it's probably best to wait until later to pick up your items, as it's a pretty quick process.

It is important to note, that you go to the Festival Box Office at Metro Hall and NOT the TIFF Bell Lightbox; they will not be able to help you at the Lightbox.

Once you get to the Festival Box Office. hand over any envelope vouchers you received. You will be asked for photo ID, so make sure you've brought some along. You will receive an envelope, an Advance Order Book, and an Official Film Schedule. If you have a programme book voucher, you can exchange that for a programme book at this time. Note that you don't need to buy a programme book, as the same information in the book is also available online at the TIFF website at http://www.tiff.net/thefestival. Some people find it easier to flip through the book, however, and it makes for a nice souvenir. You can purchase programme books at the Festival Box Office.

Once you have your items, fill them out according to the instructions inside the Advance Order Book. You can find instructions based on last year's book on this blog at http://tifftalk.blogspot.com/p/advance-ordering.html, or you can watch a video put together by the festival at http://www.youtube.com/watch?v=48ijtITKNwY&feature=player_profilepage. For tips on selecting films, and some important things to keep in mind, consult my post on the subject here: http://tifftalk.blogspot.com/p/selecting-films.html.

You can return your completed Advance Order Books, in their envelopes with the drop-off vouchers, anytime before 7:00 PM  on August 29, 2011. If you drop off your forms after that time, you will be processed after all other orders have been filled. After 7:00 PM the festival will draw a random number to determine the order box at which processing will start.

If you provided an e-mail address with your order, you should receive an e-mail prior to September 2, 2011, listing which films you received from your order. It's not unusual to not receive all your first or second choices; in such a case, you will receive vouchers instead, which can be used to pick other films. Don't panic if you don't receive an e-mail; there's always people who don't receive e-mails for various reasons, but your order should still get processed.

You can pick up your tickets starting September 2, 2011 at 7:00 AM at the Festival Box Office. If you received all your 1st and/or 2nd choices, then I would recommend NOT showing up first thing; wait until later in the day. There is usually a huge line up first thing in the morning, and if you can avoid it, that's best. If you received one or more vouchers because you didn't get all of your 1st or 2nd choices, then you can line up early and exchange your vouchers for other screenings. I'd strongly recommend you look at the festival schedule in advance and pick out possible other screenings you want to see. What usually holds up the line is people trying to exchange multiple vouchers and taking ages to find another film to see.



Sunday, July 10, 2011

Ticket Packages on Sale for Visa, Cash, and Debit July 11, 2011

Ticket packages go on sale for Visa, cash, and debit tomorrow, July 11, 2011, starting at 10:00 AM Eastern Time. Packages can be purchased by one of the following means:

  • TIFF Bell Lightbox Box Office
    • Reitman Square, 350 King Street West
    • 10:00 AM - 10:00 PM
  • Phone
    • 416-599-TIFF or 1-888-599-8433
    • 10:00 AM - 7:00 PM
  • Online
Note that you only have to buy ticket packages if you want movies pre-selected for you by the festival (the TIFF Choice packages), or if you want to participate in the Advance Order procedure (the My Choice packages). You can also wait until September 3, 2011 and buy individual tickets to films then.

So far, the following packages are sold out:
  • Visa Screening Room Opening Weekend Pack
  • Visa Screening Room Weekday Evening Pack
  • Double-Date Gala Pack
All other packages are still available.
The packages that typically sell out early are the Visa Screening Room packs; most of the others generally do not sell out. Note that the Double-Date Gala package appears to be already sold out; they must have fully sold them off to TIFF members as opposed to reserving some for the general public.

Sunday, July 03, 2011

Ticket Packages on Sale to Visa Cardholders July 4, 2011

Ticket packages go on sale to Visa cardholders tomorrow, July 4, 2011, starting at 10:00 AM Eastern Time. Packages can be purchased by one of the following means:

  • TIFF Bell Lightbox Box Office
    • Reitman Square, 350 King Street West
    • 10:00 AM - 10:00 PM
  • Phone
    • 416-599-TIFF or 1-888-599-8433
    • 10:00 AM - 7:00 PM
  • Online
Visa is the only accepted method of payment at this time. If you want to pay by cash or debit, you have to wait until July 11, 2011.

Note that you only have to buy ticket packages if you want movies pre-selected for you by the festival (the TIFF Choice packages), or if you want to participate in the Advance Order procedure (the My Choice packages). You can also wait until September 3, 2011 and buy individual tickets to films then.

The packages that typically sell out early are the Visa Screening Room packs; most of the others generally do not sell out. Note that the Double-Date Gala package appears to be already sold out; they must have fully sold them off to TIFF members as opposed to reserving some for the general public.

Tuesday, June 14, 2011

Changes for 2011

The festival released a number of details for the 2011 Toronto International Film Festival today. Some changes for this year include:

  • The Festival Box Office is at Metro Hall this year, at 225 King Street W, on the concourse level. Entrance is on Duncan Street. It opens August 23, 2011.
  • The Princess of Wales Theatre is being used as a venue this year in addition to the venues from last year.
  • There is a TIFF Choice 5-Film Sampler Pack, where the festival programmers select 5 films for you.
  • There is a My Choice 20-Film Daytime Pack, where you can select 20 regular screenings that start before 5:01 PM. This appears to replace the 15 and 25-Film Daytime Packs from last year.
  • There is a Back Half Pack, where you can get 5 tickets for regular screenings from September 13 to 18 at half the cost of regular tickets.
  • There is discounted pricing for individual tickets if you are 25 or younger.
  • Advance Order Books are due at 7:00 PM ET on Monday, August 29, 2011 instead of at mid-day.
  • People are also reporting that the number of daytime screenings is being increased, which was a criticism last year from regular festival-goers. We'll have to wait for the scheduled to be released in August to see.
I'll posted a detailed breakdown of ticket packages later in the week, but prices seem to be the same as last year for both packages and individual tickets.

Saturday, June 11, 2011

Upcoming Dates for 2011

Some upcoming dates for the 2011 Toronto International Film Festival:

  • June 20, 2011: ticket packages go on sale to TIFF members (except for Visa Screening Room packages)
  • July 4, 2011: ticket packages go on sale to to the general public at 10:00 AM ET (including Visa Screening Room packages); only Visa cards are accepted as payment
  • July 11, 2011: ticket packages go on sale for all payment methods at 10:00 AM ET (Visa, cash, debit; no other credit cards are accepted)
  • August 23, 2011: Festival Box Office at 225 King St. W opens and Advance Order Procedure begins. Film schedule available online.
  • August 25 - 29, 2011: individual tickets go on sale to TIFF members
  • August 29, 2011: Advance Order Books due by 7:00 PM ET at the Festival Box Office.
  • September 2, 2011: Advance Orders ready for pickup, ticket exchange for Advance Orders.
  • September 3, 2011: individual tickets go on sale to the general public at 7:00 AM ET
  • September 8 - 18, 2011: the Toronto International Film Festival
Note you only have to buy a ticket package if you plan on seeing multiple films and either want them to be selected for you, or you want to participate in the advance order process. If you just want to buy individual tickets, you can wait until they go on sale in September.
Generally speaking, most ticket packages do not sell out right away or at all, with the exception of gala packages, which get you tickets to gala screenings at Roy Thompson Hall or the Visa Screening Room.

Sunday, September 19, 2010

TIFF 2010 Festival Wrap-Up

Well, another festival done for the year. I was up slightly from last year, with 26 films or discussions, totalling 44 hours, 1 minute.

Things that worked well:

  • As always, the volunteers did a great job, and there was an occasion or two I watched them have to put up with crap from festival goers. But in general everyone was appreciative of the effort, as evidenced by the applause during the volunteer trailer, as soon as the cloud of names appeared.
  • Ended up using tiffr.com again this year to actually schedule my movies, and it continues to work well.
  • I liked the RBC trailers again this year (especially the guys wondering where they were going to get the 50k to save their store), but there were too few of them to last for an 11-day festival.
  • No problems with the advance order book this year, and it was good that premium screenings were so-marked in the official film schedule.
  • Luckily I made it through the entire festival without someone asking a meandering question in the Q&A (or worse yet, not asking one at all!)
  • The TIFF Bell Lightbox is a nice building. Free wi-fi, good food, cheaper concession prices, nice theatres (seating and sound), good location, permanent gift shop. And they'll be showing not only their normal year-round programming, but also the commercial runs of smaller festival-type films like Trigger.

Things that could use improvement:

  • The online box office seemed particularly bad this year, and they quickly abandoned the "shopping cart" in favour of the old-style single page for all the movies for purchasing tickets. Part of the problem is everyone has to go through the main, media-rich site for the TIFF organization to get to the film schedule, and then each film page is also filled with media and auto-playing slideshows and videos. Great most of the time, but not when thousands of people are hammering your site. They should probably consider a cloud-based solution (Amazon, Windows Azure) to scale up the website on the first day of general ticket sales. But then who knows if their old MaxWeb ticketing back-end could process orders fast enough?
  • There seemed to be an abnormally high number of technical and projection issues this year. For me, Film Socialisme at the Ryerson had no subtitles, and Dhobi Ghat was delayed 3 hours. More embarrassingly still, the gala for Little White Lies had to be moved from Roy Thomson Hall to the Scotiabank because the new digital projector couldn't do the subtitles, and the premiere of Cave of Forgotten Dreams had a projector issue a few minutes before the end, with Werner Herzog in the audience.
  • Downsides of the Lightbox: the theatre entrances seem a bit tight compared to the AMC or the Scotiabank, and they've got artifacts on display inside the theatre entrances where you're never going to see it (it's too dark, and you're usually in a rush to get in or out). And what's up with the men's bathroom on the second (or should that be second-and-a-half) floor? Everyone I saw was surprised by the stairwell you had to hike up, and there's only two stalls. Plus, there didn't seem to always be enough room to hold the lines for the theatres inside the building.
  • I may complain about the Lightbox, but really, it is nice to have the building complete and available year-round to foster film in the city, and it's great the festival now has a permanent home.
  • The general consensus between veteran festival-goers was that the number of screenings available during the early morning during the week were reduced from previous years, making it difficult to make use of some of the packages (like the 50-pack or the daytime pack). Not sure if that was due to the availability of theatres, impact of press/industry screenings, or just a philosophical change.

Miscellaneous notes:

Overall, was pretty happy with the films I saw this year. My favourites below, from those films that I saw:

  • Favourite Film: Rare Exports: A Christmas Tale, because it was so unexpected, and was well-paced, well-written, and well-acted.
  • Best Canadian film: Tossup for me between Bruce McDonald's Trigger and Xavier Dolan's Heartbeats.
  • Best drama: I liked Kiran Rao's Dhobi Ghat, Trigger, and Heartbeats.
  • Best action film: Takeshi Miike's 13 Assassins.
  • Funniest film: The Trip
  • Best documentary: Tossup between Cave of Forgotten Dreams and Force of Nature: The David Suzuki Movie. Tabloid and Inside Job were pretty good, too.
  • WTF?! Award: Film Socialisme, and I don't think the subtitles would have actually helped any.
  • Screening with the most celebrity wattage: The Way, which had both Martin Sheen (fresh from walking the picket lines outside his hotel) and Emilio Estevez.
  • Director I enjoyed seeing the most: Werner Herzog edges out Errol Morris.

I hope to post other reviews and Q&A transcripts in the immediate future (although I say that every year and never get around to it). Hopefully people found this blog useful again this year, and with any luck I will be back again next TIFF with more ticketing tips, reviews, and Q&As. Thanks for reading this year!

TIFF 2010 Award Winners

The festival announced its award winners for 2010:

  • The Cadillac People's Choice Award, voted on by the public based on ballots submitted after screenings, went to The King's Speech, starring Colin Firth and Geoffrey Rush. The runner-up was The First Grader, a movie I saw earlier in the week, based on the real-life story of a Kenyan who enrolled in primary school at the age of 84 when the government announced free education for all its citizens.
  • The Cadillac People's Choice Midnight Madness Award, voted on by the public for the best film in the Midnight Madness programme, went to Stake Land, with Fubar II the runner-up.
  • The Cadillac People's Choice Documentary Award, voted on by the public for the best documentary, went to Force of Nature: The David Suzuki Movie, which I reviewed earlier in the festival. The runner-up was Nostalga for the Light.
  • The FIPRESCI Prize for the Discovery programme went to Shawn Ku's Beautiful Boy. This award is voted on by a panel of international critics from the International Federation of Film Critics.
  • The FIPRESCI Prize for the Special Presenations programme went to Pierre Thoretton's L'Amour Fou.
  • The award for Best Canadian Short Film went to Vincent Biron's Les Fleurs de l'age.
  • The SKYY Vodka Award for Best Canadian First Feature Film went to Deborah Chow's debut, The High Cost of Living (starring Zach Braff).
  • The City of Toronto Award for Best Canadian Feature Film went to Denis Villeneuve's Incendies.

Thoughts on TIFF 2010 Day 11

Thoughts on the final day:

  • Boy, there were some die-hards lined up for tickets for the free screening of the Cadillac People's Choice Award Winner, The King's Speech. I was there at 2:00 for The Trip, and there were already people lined up, and they weren't releasing tickets until 4:00.
  • The Trip: hilarious improvised romp through the restaurants of Northern England with Steve Coogan and Rob Brydon played fictionalized versions of their real-life selves. As everyone has mentioned, their dueling Michael Caine impressions are one of the highlights of the film (and having seen Michael Caine in person at the festival last year, I can attest to that). But their conversations are also interspersed with personal moments, Brydon missing his wife and newborn, and Coogan having one-night stands while longing for his girlfriend in America and thinking about his own pre-teen son, lending a bit of dramatic flair to the comedic road trip. Well worth seeing.
  • 13 Assassins: the latest from Japanese director Takeshi Miike, 13 Assassins is a remake of the 1963 Eiichi Kudo film of the same name, and follows the real-life story of Shinzaemon Shimada, a samurai who is secretely charged with a mission to assassinate Lord Naritsugu, the adopted younger brother of the current shogun. Naritsugu is brutalizing his subjects, and after another lord commits seppuku, the consipracy is put in motion. Shinzaemon recruits others to his cause, and it all comes to a head in an action-packed 45-minute climax reminiscent of The Seven Samurai or Miike's last film, Sukiyaki Western Django. Even though there is a long buildup, the film never felt like it dragged, and the assassins' last stand again insurmountable odds is worth the wait.

Thoughts on TIFF 2010 Day 10

Some thoughts on Day 10:

  • Uncle Boonmee Who Can Recall His Past Lives: winner of the Palme d'Or at Cannes, this latest from Thai director Apichatpong Weerasethakul finds Uncle Boonmee at the end of his days, suffering from kidney failure. He is visited by ghosts and spirits from his past, and experiences some of his past lives. This is a fairly arty film with a lot of levels not necessarily apparent on first viewing, so your enjoyment might or might not be tempered as such (I think I fall into the former camp).
  • Trigger: Vic (played by the late Tracy Wright) and Kat (Molly Parker) were once the two halves of a band called Trigger, until a falling out on tour. Fast forward to 10 years later, and the two women meet up for dinner, right before a tribute concert to the women of rock. The film follows the two over the course of a night, during which they hash out their long buried issues, conflicts, and feelings. Directed by Bruce McDonald (Roadkill, Highway 61) and written by writer/playwright Daniel MacIvor, Trigger features a couple of great performances by the leads, even more so especially considering the short time frame in which the completed the movie (a matter of days). Actor Don McKellar, Wright's real-life husband and who had a small cameo in the film, was at the Q&A and almost broke down while giving his thanks to everyone who worked so hard to get the film completed.
  • Henry's Crime: average heist movie that finds sad sack Henry (Keanu Reeves) serving time for a botched bank robbery for which he was duped into being the getaway driver. Eventually parolled, Henry decides if he's done the time, he might as well do the crime. Teaming up with former cellmate Max (James Caan), Henry figures out the best way into the bank is to tunnel from the theatre next door. This embroils him with a production of Chekov's The Cherry Orchard being staged there, along with leading actress Julie (Vera Farmiga). Whether you enjoy this movie is likely closely linked to whether you would have bought Reeves as Hamlet when he played the role in Winnipeg a number of years back.
  • Fire of Conscience: excellent high-adrenaline Hong Kong action flick from director Dante Lam. Follows Manfred (Leon Lai), an emotionally damaged cop who prowls the streets at night looking for a particular pickpocket. But his days are occupied trying to solve the murder of a prostitute and teaming with another detective, Kee (Richie Ren), to track down a cop killer who may be linked to something bigger. As typical with the genre, nothing and no one is as they seem.

Friday, September 17, 2010

Thoughts on TIFF 2010 Day 9

Some thoughts on Day 9:

  • This blog was referenced by an article on The Guardian's film blog.
  • Home for Christmas: based on some of the short stories of Levi Henriksen, this film from director Bent Hamer (Kitchen Stories, O'Horten) consists of several vignettes, largely connected only by the fact they all occur on the same Christmas Eve. There's the workaholic doctor called out for a childbirth; a couple of teenagers connecting with one another; the woman in an affair with a man who will never leave his wife; a divorced man who can't give his own kids presents on Christmas; a homeless man trying to make it back to his hometown; and others. The film constantly shifts between stories, and despite the short time available to each, you do develop feelings and sympathies for the characters. Only one story, that of an old man and his aged mother didn't really click for me, but the others found me longing for family and the holidays.
  • The First Grader: this film is based on the real-life story of Kimani Ng'ang'a Maruge, a veteran of the Mau Mau Uprising against British colonial rule in Kenya in the 1950's. After the government announced free universal education for all in 2003, Maruge, at the age of 84, enrolled in primary school to get the education he never had as a child. At first, the teachers refuse to admit him, but his persistence causes head teacher Jane Obinchu (played by Naomie Harris) to relent. Jane and Maruge must fight against wary parents and the system to keep Maruge in school, all the while Maruge must deal with his own demons from the past. An inspiring, dramatic, and at times, funny, story.

Thoughts on TIFF 2010 Day 8

Some thoughts on Day 8:

  • Beaver!
  • Rare Exports: A Christmas Tale. Hilarious and thrilling film. Young Onni Tommila is the real star of the film, and the next great action hero. Well worth seeing.
  • Monsters: Interesting film, but don't go in expecting an action piece. The "monsters" of the title are almost more of a background piece to the relationship between the two leads (played by real-life couple Whitney Able and Scoot McNairy). Much of the dialogue is improvised, which didn't always work for me especially when it tried to get allegorical, but probably does fit with director Gareth Edward's goal of having a "real-life" monster movie. Some of the sci-fi elements reminded me of The Mist or Cloverfield, but like I said, the film is more about the journey of the leads (both physically and emotionally) than the aliens around them.

Rare Exports: A Christmas Tale

Pietari (played by Onni Tommila), a young boy living in rural Finland with his single father Rauno (Jorma Tommila), is intrigued by the excavation being done on a nearby mountaintop by a group of supposed scientists. After investigating with his friend, Pietari becomes consumed with the thought that the scientists have found Santa Claus frozen in the ice; but this is not the "Coca-Cola" version of Santa we're used to today, but a much darker one from ancient lore, one that would sooner spank or boil alive young children. As mysterious happenings soon envelope his neighbours, only Pietari knows what's going on, and may be their only saviour.

It's hard to characterize this film; it's more of a thriller with some horror elements thrown in, but with a lot of humour and some tender moments around the relationship between father and son. The film, from director Jalmari Helander based on idea from himself and his brother, is a prequel of sorts to the short films Helander has previously released on the Internet (YouTube has Part 1 and Part 2).

The movie maintains a brisk pace right out of the gate, and the suspense builds to a thrilling and hilarious climax. Young Onni Tommila does a great job as Pietari, and is one of the best things about the film. Overall, it was really fun and exciting, and it seemed to be a real crowd-pleaser. Well worth seeing if you get a chance.

Director Jalmari Helander did a Q&A after the film:

  • He's made two shorts on the same topic before, and this movie is kind of a prequel; everyone seems to like the shorts and always ask him why he doesn't make a feature, so he did.
  • The idea was developed by him and his brother; they wondered why Santa Claus has changed over the years. The original Father Christmas is totally opposite from the one we have now. So they started to investigate it.
  • The music was done by first-time composer Juri Seppä, who is a friend of Helander's.
  • Onni Tommila is actually Helander's nephew, and has been in a few of Helander's short films. Helander thinks Tommila is really something.
  • When asked why there are no women in the film, Helander responded that there was one in the beginning on the first shooting day, but he suddenly realized that there couldn't be any in the story. He originally had more women in the script (for example, Pietari had a mother), but when men have their own plans, it's so much easier to do those plans when there's no women around asking "what the hell are you doing?"
  • Shooting took place over 26 days.
  • They went to the northern part of Norway because the mountains are great there, unlike in Finland. The real Korvatunturi mountain is a really stupid, sad hill.
  • It was nice to be really isolated with the whole team, it was really interesting.
  • They don't have the Easter bunny in Finland, they have an Easter Witch, but Helander doesn't have any opinion on her.
  • Helander is 34 years of age. One of his influences is the movie E.T.


Possible spoilers below:

  • He's working on something else right now, but does have an idea for a sequel. He says it's not going to be pretty with all these Santas around the world.
  • There's lots of CGI in the last 15 to 20 minutes of the film, not so much in the beginning, except for some snow, the excavated pit, and dead reindeer (because they didn't have enough real ones).



Thursday, September 16, 2010

Thoughts on TIFF 2010 Day 7

Some thoughts on Day 7:

  • How to Start Your Own Country: funny yet thoughtful look at a few micronations around the world that raises deeper questions about what it means to be a country. The film takes a look at well-known micronations like Sealand, as well as lesser known ones. While some of the founders come off a bit eccentric, the filmmakers do portray them in a sympathetic light, and all have their own deeply held beliefs as to why they do what they do.
  • The Solitude of Prime Numbers: based on the best-selling Italian novel by Paulo Giordano, who co-wrote with director Saverio Constanzo, this film examines a boy and a girl through different period of their lives; their childhood, their teens, their early 20's, and their late 20's. Both are damaged, either physically or emotionally or both, and struggle with relating to family, people, and each other. Filled with melancholy, it's occasionally as difficult to relate to the characters as it is for them to relate to their own world, but the shifting timeframes gradually reveal the source and depth of their sorrows.

My experiences at the Toronto International Film Festival. Note this blog is not affiliated with the Toronto International Film Festival Group or the festival itself.
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